Saint-Saëns: The Carnival of the Animals) - XII. Fossiles (Fossils - wind quintet (arr. Ray Thompson) Sheet Music | Camille Saint-Saëns | Woodwind Ensemble
Log In
582993
Saint-Saëns: The Carnival of the Animals) - XII. Fossiles (Fossils - wind quintet (arr. Ray Thompson) Digital Sheet Music
Cart purchase includes:
Official publisher PDF download (printable)
Access anywhere, from any device.
Cover Art for "Saint-Saëns: The Carnival of the Animals) - XII. Fossiles (Fossils - wind quintet (arr. Ray Thompson)" by Camille Saint-Saëns PASS

Saint-Saëns: The Carnival of the Animals) - XII. Fossiles (Fossils - wind quintet (arr. Ray Thompson)
by Camille Saint-Saëns
Woodwind Quintet - Digital Sheet Music

$9.99
Taxes/VAT calculated at checkout.
Cart purchase includes:
Official publisher PDF download (printable)
Access anywhere, from any device.

This item is not eligible for PASS discount.

Audio Preview

Product Details


Product Description

The Carnival of the Animals (Le carnaval des animaux) is a humorous musical suite of fourteen movements by the French Romantic composer Camille Saint-Saëns. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments, and lasts around 25 minutes.

This is mvt XIV Fossiles (Fossils)

The original orchestration has Strings, two pianos, clarinet, and xylophone.

Saint-Saëns mimics his own composition, the Danse macabre, which makes heavy use of the xylophone to evoke the image of skeletons playing card games, the bones clacking together to the beat. The musical themes from Danse macabre are also quoted; the xylophone and the violin play much of the melody, alternating with the piano and clarinet.  Allusions to "Ah! vous dirai-je, Maman" (better known in the English-speaking world as Twinkle Twinkle Little Star), the French nursery rhymes "Au clair de la lune", and "J'ai du bon tabac", the popular anthem "Partant pour la Syrie", as well as the aria "Una voce poco fa" from Rossini's The Barber of Seville can also be heard.

 The musical joke in this movement, according to Leonard Bernstein's narration on his recording of the work with the New York Philharmonic, is that the musical pieces quoted are the fossils of Saint-Saëns's time.

I have arranged it here for wind quintet, I have given the main tune to the oboe.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.