Forceful and sinister, this is music that might emanate from a witchs cauldron or
some primordial ooze. The contrabassoon slithers through the scene, mocked by brass
fanfares, accompanied by timpani strikes, and interrupted by violent guiro scratches. A
faster tempo ensues; the woodwinds and mallet percussion announce scalar flourishes
followed by an angular theme presented by the contrabassoon. The section concludes with
nimble music in the woodwinds, marked by sprightly accents and dramatic changes of
color.
The middle section of the piece begins with a murky background and a plaintive
statement from the orchestral bells and vibraphone. Marked Ethereal, this section features a
rhythmic motive that develops into a distant ostinato. The simple "bell" statement matures,
growing powerful and triumphant. The music settles, the menacing music from the
beginning returns. What was once sinister, now takes on a rhapsodic and mildly optimistic
nature. All of the earlier themes are now cast in different guises and pitted against each
other.
The cauldron is stirred, the ooze flows, and the contrabassoon, now alone,
simmers. As the piece comes to a close the instruments return one by one to join each
other in one final, primal scream.