Product Description
We come to the end of this first part of the journey into Breval's cello sonatas by proposing the fourth one, in B-flat major. It is very interesting to see how all these six sonatas are firmly rooted in major keys, with fleeting passages to minor relatives, rigorously during the second movements.
This Sonata has the longest first movement by far, and also a second movement that sails away from the Rondo form, proposing an Aria (Andantino) with two variations.
Technically it is quite demanding, possibly the capstone of the sextuplet, coupling a richness in embellishments with long passages in the extended position.
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