BOISMORTIER SONATA IN D MINOR OPUS 7 No. 4 for flute or oboe, clarinet & bassoon or cello (arr. Edited & arranged by Pat Spence) Sheet Music | Joseph Bodin De Boismortier (1689 - 1755) | Performance Ensemble
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BOISMORTIER SONATA IN D MINOR OPUS 7 No. 4 for flute or oboe, clarinet & bassoon or cello (arr. Edited & arranged by Pat Spence) Digital Sheet Music
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BOISMORTIER SONATA IN D MINOR OPUS 7 No. 4 for flute or oboe, clarinet & bassoon or cello (arr. Edited & arranged by Pat Spence)by Joseph Bodin De Boismortier (1689 - 1755) Performance Ensemble - Digital Sheet Music

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Product Details


Product Description

The sonata is the first of a set of six published in Paris in 1725 by LAuteur & Boivin Avec Privilege du Roy.1725. The title page described them as SONATES EN TRIO pour Trois Flûtes Transversieres sans Basse Par MR BOISMORTIER. OEVRE SEPTIÈME.

The publication consisted of a set of parts each with the title page followed by a copy of the  Privilége granted by King Louis to Boismortier to print and sell his music.

The fourth sonata has been arranged for flute or oboe, clarinet & bassoon or cello. The four movements are Doucement, Courante, Allemande and a pair of minuets. Players of intermediate standard and above will enjoy the independent part writing. 

Obvious mistakes and omissions have been corrected without comment, trills have been added where there is for e.g. a sequence where only the first trill has been indicated or a similar passage has a trill in that part or another part. The more modern tr has been substituted for + and the mordant used on shorter notes retained. The only dynamics included in the original are "Doucement" (softly) at the beginning of the first movement and "Doux" , an indication to play softly from bar/measure 49 to the end of the first movement, and none have been added.  Players should feel free to add their own. 

For the arrangement some changes of register have been made to accommodate the ranges of the oboe and clarinet and additional slurs have been added (dashed lines). Players are free to retain the feel of early eighteenth century style whilst playing modern instruments.


The original publication used the, now defunct, soprano clef (with G on the bottom line of the stave) and this edition has been transcribed into the modern treble clef. In the eighteenth century it was quite usual for wind players to play several instruments. The use of the soprano clef would have made it easier to switch between flute and bassoon.


This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.