Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra (arr. Grant Gilman) by Nikolai Rimsky-Korsakov Sheet Music for Orchestra at Sheet Music Direct
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Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra (arr. Grant Gilman) Digital Sheet Music
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Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra (arr. Grant Gilman)
by Nikolai Rimsky-Korsakov String Orchestra - Digital Sheet Music

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Product Details


Product Description

Nikolai Rimsky-Korsakov

Scheherazade - I. The Sea and Sinbads Ship


Pick-A-Part Arrangement 

for String Orchestra by

Dr. Grant Gilman



String Orchestra Parts in This 

Pick-A-Part Arrangement

Violin 1A

Violin 1B

Violin 1C


Violin 2A

Violin 2B

Violin 2C


Viola A

Viola B

Viola C


Cello A

Cello B

Cello C


Bass A

Bass B

Bass C


Harp/Keyboard (optional)


About Pick-A-Part Arrangement

This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork.

In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. 

For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts.

For example, lets say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this:

    • Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B
    • Violin 2 - one on Violin 2B, the rest on Violin 2C
    • Viola - both on Viola C
    • Cello - three on Cello A, one on Cello B, and the rest on Cello C
    • Bass - one on Bass C

This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. 


A Note about the Score and Printing

The full score is designed to be printed in portrait orientation on 17"x11" tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!

www.grantgilman.com

www.americanmusepodcast.com 

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.