The Clarke Method for Trombone has some uncommon features not
found in other method books.
1. First, is the use of the key of "C" for the initial 33 exercises.
The author then progresses through all of the keys, alternating the sharp
(first) and flat keys through to six sharps and six flats by the end of
exercise 155.
2. Secondly, there are no exercises devoted solely to minor
keys. However, Clarke employs the minor mode in all of his exercises
through the use of scales and arpeggios, so in fact the performer is
receiving a steady "diet" of minor melody "built in" for him/her.
3. Thirdly, Clarke uses no metronome markings. He explains;
"each exercise should be practiced carefully over and over again until
every difficulty is thoroughly overcome until the exercise can be played
through correctly before going on to the next." His purpose is to avoid
speeding through them.
Clarkes exercises are progressive throughout the keys, however each
one starts out easily in order to keep the student focused on the new key
and the new progression notes that come with it.
For the advanced performer, this book is great to use as a way to ease
back into shape after a rest from the instrument, allowing the performer
to "relearn" the instrument carefully and methodically. I use it also for
tone building, phrasing, and breath control. Throughout the book, Clarke
reminds the performer to always produce a noble sound, stressing
natural playing (without forcing) and relaxation. His phrase, "the breath
is the life of the tone", is a phrase that Remington used throughout his
great teaching career as well. Clarke talks about tonguing, saying that,
"the tongue is used merely as an aid in articulating not as a
necessity... the tone does not depend on the tongue... the tongue
should not be made too important..."