Beethoven (as adapted Seiss): Contre-Tanze (Country Dance) No.1 - wind quintet (arr. Ray Thompson) by L van Beethoven Sheet Music for Woodwind Ensemble at Sheet Music Direct
Log In
583466
Beethoven (as adapted Seiss): Contre-Tanze (Country Dance) No.1 - wind quintet (arr. Ray Thompson) Digital Sheet Music
Cover Art for "Beethoven (as adapted Seiss): Contre-Tanze (Country Dance) No.1 - wind quintet (arr. Ray Thompson)" by L van Beethoven PASS

Beethoven (as adapted Seiss): Contre-Tanze (Country Dance) No.1 - wind quintet (arr. Ray Thompson)
by L van Beethoven Woodwind Quintet - Digital Sheet Music

₹410.00
Sales tax calculated at checkout.
Get 20% discount with PASS subscription
Purchase of Beethoven (as adapted Seiss): Contre-Tanze (Country Dance) No.1 - wind quintet (arr. Ray Thompson) includes:
Official publisher PDF download (printable)
Access anywhere, including our free app

Audio Preview

Product Details


Product Description

Contre-Tanze (Country Dance) No.1 (adapted Seiss)

Beethoven wrote 12 Country Dances WoO14 for orchestra .

They are all quite short: some have trios.

They are probably better known as  a set of 3 piano pieces called  Contre-Tanzes  which are noted "frei bearbeitet von Isidor Wilhelm Seiss" (freely adapted by  Isidor Wilhelm Seiss)

 Isidor Seiss (23 December 1840 25 September 1905) was a German composer, conductor, pianist, piano pedagogue and philanthropist.

They have a "romantic feel" to them.

Each one of Seiss's 3 country dances are made up of extracts (or the complete dance) from 3 of Beethoven's. In some cases he uses only the trio, other times he uses the first 8 bars. Extracts are also transposed when needed to fit the home key of the piece.

My arrangement is based on the  musical layout of Seiss's Dance Number 1 which utilises Beethoven's as follows: No. 1, No.3 and No.11, followed by a reprise of Nos. 1 & 3

Seiss freely adapts Beethoven's melodies and chordal structure.

 I have used Beethoven's original orchestration as a guide to give a more authentic  classical sound.

The horn part is for a natural horn in C basso. (Horn in F is provided as well.)

It should be performed with repeats, with no repeats on the D.C.

I have ignored the coda from Seiss's arrangement.

Hope you enjoy it.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.