BACH: Trio Sonata No. 3 BWV 527 for Violin Duo & Cello (arr. James M. Guthrie) Sheet Music | J. S. Bach | String Ensemble
Log In
581467
BACH: Trio Sonata No. 3 BWV 527 for Violin Duo & Cello (arr. James M. Guthrie) Digital Sheet Music
Cart purchase includes:
Official publisher PDF download (printable)
Access anywhere, from any device.
Cover Art for "BACH: Trio Sonata No. 3 BWV 527 for Violin Duo & Cello (arr. James M. Guthrie)" by J. S. Bach PASS

BACH: Trio Sonata No. 3 BWV 527 for Violin Duo & Cello (arr. James M. Guthrie)by J. S. Bach String Trio - Digital Sheet Music

$32.99
Taxes/VAT calculated at checkout.
Cart purchase includes:
Official publisher PDF download (printable)
Access anywhere, from any device.

This item is not eligible for PASS discount.

Audio Preview

Product Details


Product Description

Trio Sonata No. 3 BWV 527, originally for organ, arranged for 2 violins & cello. Duration: ca. 12:35, Score: 34 pages. In three movements.
I.  Andante
II. Adagio e dolce
III. Vivace

Bach's Trio Sonata No. 3 in D minor, BWV 527, is one of his six trio sonatas for organ composed around 1727-1730. Here are some key points about this work:

Trio Sonata Form
It is written in the trio sonata form, which features two melodic lines accompanied by a bass line. Bach introduced this new genre for the organ, adapting the trio sonata style from Baroque chamber music but having all three parts played on a single instrument.

Movements
The sonata has three movements:  Andante in D minor, Adagio e dolce in F major, and Vivace in D minor.
The Adagio e dolce movement is particularly noteworthy, as Bach later arranged it for the middle movement of his Concerto in A minor for flute, violin, and harpsichord, BWV 1044.

Expressive Character
The opening Andante movement has an uncertain and gloomy character, befitting the key of D minor, which was associated with solemnity and seriousness in the Baroque era. The two upper melodic lines use a simple conversational style throughout the sonata.

Technical Demands
Despite its apparent simplicity, the sonata is considered extremely difficult for the organist to play due to the independent melodic lines required for each hand and foot. Precise technique delineates the three contrapuntal parts. So, in summary, this trio sonata exemplifies Bach's innovative adaptation of the trio sonata genre to the organ, showcasing his contrapuntal mastery while making significant technical demands on the performer.




This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.