Bach-Gounod: Ave Maria for Clarinet & Harp (arr. James M. Guthrie) Sheet Music | Bach-Gounod | Instrumental Duet
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Bach-Gounod: Ave Maria for Clarinet & Harp (arr. James M. Guthrie) Digital Sheet Music
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Bach-Gounod: Ave Maria for Clarinet & Harp (arr. James M. Guthrie)
by Bach-Gounod
Instrumental Duet - Digital Sheet Music

$32.99
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Cart purchase includes:
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Product Description

Schwencke
There are two popular versions of the Bach-Gounod Ave Maria. Firstly, we have the version that faithfully follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 presents a controversial added measure designed to intensify the harmony in measure 23. Both versions employ Charles Gounod'selody as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The repeat duration runs about 4:50, and the score is seven pages long. 


This version features the Schwencke measure.
 

Ave Maria
Ave Maria is a Catholic prayer that asks the mother of Jesus (Mary) to intercede. Charles Gounod, a French Romantic composer who overlaid a new melody on an existing Bach chord progression, composed a famous version of the Ave Maria. This and Schubert's versions have become essential at weddings, masses, and funerals.

Bach Overview
Johann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. However, similarly famous are noteworthy works such as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most notable.

 Bach History
Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. So, as a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

 Bach Style
It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style, which was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Bach Revival              
Mendelssohn conducted a revival of Bach in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes, scholars will use an "S" or "Schmieder."

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.