Jules Demersseman : Fantaisie, opus 32 for alto saxophone and piano (arr. Musik Fabrik Music Publishing) Sheet Music | Jules Demersseman | Instrumental Duet
Log In
552668
Jules Demersseman : Fantaisie, opus 32 for alto saxophone and piano (arr. Musik Fabrik Music Publishing) Digital Sheet Music
Cart purchase includes:
Official publisher PDF download (printable)
Access anywhere, from any device.
Cover Art for "Jules Demersseman : Fantaisie, opus 32 for alto saxophone and piano (arr. Musik Fabrik Music Publishing)" by Jules Demersseman

Jules Demersseman : Fantaisie, opus 32 for alto saxophone and piano (arr. Musik Fabrik Music Publishing)by Jules Demersseman Instrumental Duet - Digital Sheet Music

$10.99
Taxes/VAT calculated at checkout.
Cart purchase includes:
Official publisher PDF download (printable)
Access anywhere, from any device.

This item is not eligible for PASS discount.

Product Details


Product Description

Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Saxs valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and a shorter Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossinis Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellinis, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.