Product Description
K. 229 (K.382a): A canon for 3 voices in C minor, "Sie ist dahin," composed in 1782.
How Mozart's Canon "Sie ist dahin" Reflects His Style in 1782
Integration of Contrapuntal Technique
"Sie ist dahin" is a pure three-part canon, showcasing Mozarts mastery of counterpoint, a technique he valued throughout his career and revisited in mature works like the Requiem. His exposure to the stile osservato under Padre Martini and his ongoing interest in fusing contrapuntal rigor with expressive clarity are evident in this piece.
Expressive Harmony and Chromaticism
The canons harmonic language, particularly its use of chromaticism and expressive dissonance, reflects Mozarts late 18th-century style, where he pushed the boundaries of harmony for emotional effect. For example, at the phrase "sie ist dahin," the music features a poignant clash (F against E and D), making the sense of loss palpable and demonstrating Mozarts ability to heighten text through harmonic color.
Text Setting and Emotional Depth
Setting a poem by Hölty, Mozart moves beyond the lighter, often humorous tone of his earlier canons, instead engaging with themes of loss and melancholy. This aligns with the broader trend in his 1782 works, where he increasingly explored deeper emotional territory, both in vocal and instrumental music.
Economy and Clarity
Despite the contrapuntal complexity, the canon is concise and clear, hallmarks of Mozarts Viennese style in the early 1780s. His mature works often strike a balance between technical sophistication and accessibility, making even complex forms like the canon feel natural and expressive.
Summary
"Sie ist dahin" encapsulates Mozarts 1782 style by blending contrapuntal craftsmanship, expressive harmonic language, and emotional depth within a compact, vocally idiomatic framework. It stands as a testament to his ability to infuse even small-scale forms with profound artistry
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