Product Description
Brazilian Cake-Walk
The cakewalk was originally an African-American dance that became popular in the U.S. in the late 19th century.
In Brazil, composers adapted the style into something lively, humorous, and infused with local rhythmic flavor.
Luiz Levy's Brazilian Cake-Walk is a brilliant example of this its witty, energetic, and refined, capturing both elegance and playfulness.
Musical Characteristics
1. Melody
The melody is bouncy, syncopated, and full of charm.
It often plays with unexpected accents, giving it a feeling of light-hearted swagger.
Theres a sense of improvisation, as if the pianist is teasing and playing around with the tune.
Phrases are short and catchy, typical of dance music.
2. Rhythm
The syncopated rhythm is the soul of this piece the cakewalk rhythm is a playful back-and-forth between strong beats and offbeats.
Levy spices it up with Brazilian rhythmic subtleties, making it lighter and more flexible than American cakewalks.
There is a constant sense of forward motion, like a parade of dancers stepping with grace and humor.
3. Harmony
The harmony is mostly tonal but sprinkled with chromatic touches.
Levy uses unexpected modulations to surprise the listener and keep the mood lively.
There's a blend of classical harmonic progressions and more popular, "street" sounds.
4. Texture
Primarily homophonic, with melody supported by rhythmic chords or a lively accompaniment.
Sometimes the texture thickens to imitate a mini-orchestra, with playful inner voices and decorative flourishes.
This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.