Sou bom que dói [I’m so good it hurts] (arr. Instituto Piano Brasileiro - IPB) by Arthur Camillo Sheet Music for Piano Solo at Sheet Music Direct
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Sou bom que dói [I’m so good it hurts] (arr. Instituto Piano Brasileiro - IPB) Digital Sheet Music
Cover Art for "Sou bom que dói [I’m so good it hurts] (arr. Instituto Piano Brasileiro - IPB)" by Arthur Camillo PASS

Sou bom que dói [I’m so good it hurts] (arr. Instituto Piano Brasileiro - IPB)
by Arthur Camillo Piano Solo - Digital Sheet Music

$8.99
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Purchase of Sou bom que dói [I’m so good it hurts] (arr. Instituto Piano Brasileiro - IPB) includes:
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Product Details


Product Description

This urtext edition of Sou bom que dói (Im So Good It Hurts) by Arthur Camillo (1860s19??) shines a light on a once-forgotten jewel of early 20th-century Brazilian piano music. A vibrant maxixethe forerunner of the sambathis piece captures the lively syncopations and rich harmonic interplay that were the hallmarks of the so-called pianeiros, a generation of virtuoso Brazilian pianists who performed in concert halls, cafés, and cinemas.

Never before published or recorded, the score survived only in a rare manuscript housed in the archives of Fred Figner, the visionary founder of Casa Edison and Odeon in Brazil. This new critical edition meticulously restores Camillos original intentions while providing editorial insights.

Key features of this edition include:

- Urtext fidelity to the rediscovered manuscript, ensuring historical authenticity.
- Informative preface detailing the composers significance, his collaborations with major record labels, and his connections to Ernesto Nazareths circle.

An essential addition to the Latin American piano repertoire, Sou bom que dói will delight pianists seeking an upbeat piece infused with the irresistible charm of Brazils musical heritage.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.