Product Description
On I-70 in central Utah, theres a particular piece of Interstate known as The Wedge. On this stretch of road, the highway funnels and squeezes through two massive, pyramid-shaped blocks of sandstone. Perhaps not coincidentally, Tom Marshalls lyrics to The Wedge reference taking the highway to the great divide, an image punctuated by the thought of that sandstone on I-70.
With a catchy sing-along chorus (which, in The Phish Book, Tom noted was inspired by Neil Youngs Thrasher) punctuated by an infectious beat and featuring some wonderful bass bombs, The Wedge was a longtime resident in a select group of songs: always requested but rarely played. Following its 1993 debut it roared out of the gates, but was on the shelf by the end of summer and was bypassed entirely in 1994. After its breakout in the summer of 1995 The Wedge was only played once in 1996 and twice in 1997 before coming back to rotation in 1998.
The band had continuously made minor modifications to The Wedge until 1998. They experimented with a drum intro and a piano intro, with numerous 1993 soundchecks circulating as testament to the ongoing experiment (see the 8/24/93 soundcheck, complete with Treys comments on the bands tinkering.) A representative version on Hampton Comes Alive (from 11/21/98) demonstrated the complete evolution of the song.
Tom Marshalls own band, Amfibian, frequently played The Wedge and recorded a studio take for Sharin in the Groove. This version, at 8:30, clocks in slightly longer than the average Phish version but far shorter than their first studio take, which reached 45 minutes in length! Trey joined Amfibian to assist in their live rendering of the song on 11/18/00 at Higher Ground. Beginning in 2011, Trey has also performed "The Wedge" during several of his solo acoustic sets.
This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.