2, 4, 6, 8: Positions We Don't Appreciate for Viola by Steven Kruse & Penny Thompson Kruse Sheet Music for Viola Solo at Sheet Music Direct
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2, 4, 6, 8: Positions We Don't Appreciate for Viola Digital Sheet Music
Cover Art for "2, 4, 6, 8: Positions We Don't Appreciate for Viola" by Steven Kruse & Penny Thompson Kruse PASS

2, 4, 6, 8: Positions We Don't Appreciate for Viola
by Steven Kruse & Penny Thompson Kruse Viola Solo - Digital Sheet Music

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It has long been accepted pedagogical practice that, after first position, the next positions a violin or viola student learns are third and fifth positions. There is good reason for studying the odd-numbered positions first. The body of the and the crook of the neck provide solid reference points for finding these positions. Harmonically, first, third, and fifth positions outline the triad, the foundation of Western tonal music. The fingering for fifth position matches first position, making it easy to learn. It is unfortunate that this focus on third and fifth position has often been at the cost of any discussion of the even positions: 2, 4, 6, and 8. This is evident in the traditional etudes and study material available for violin and viola. With new tonal demands of twentieth and twenty-first century music, knowledge and familiarity with the entire finger board is essential.

Like the relationship between first and fifth position, the same relationship can be found between second and sixth positions and fourth and eighth positions. We have chosen to introduce these positions together, with melodies that can be played in both positions. Also included are shifting exercises between the even-numbered positions. We hope students and teachers will find this material helpful.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.