March in D Major - BWV Anh. 122 (arr. Jose Valladares) by Jose Valladares Sheet Music for Piano Solo at Sheet Music Direct
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March in D Major - BWV Anh. 122 (arr. Jose Valladares) Digital Sheet Music
Cover Art for "March in D Major - BWV Anh. 122 (arr. Jose Valladares)" by Jose Valladares PASS

March in D Major - BWV Anh. 122 (arr. Jose Valladares)
by Jose Valladares Piano Solo - Digital Sheet Music

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Product Description

The "March in D Major, BWV Anh. 122" is attributed to Johann Sebastian Bach, one of the most influential composers of the Baroque era. However, it's important to note that BWV Anh. 122 is part of the "Anhang" (Anh.), a section of the Bach-Werke-Verzeichnis (Bach Works Catalogue) that includes works of dubious authenticity or those once attributed to Bach but later found to be composed by other composers. In the case of BWV Anh. 122, it's generally believed that the piece was not composed by J.S. Bach himself but rather by one of his contemporaries or successors.

Despite the uncertainty regarding its true composer, the "March in D Major, BWV Anh. 122" is a delightful and spirited composition that exhibits the stylistic characteristics of the Baroque period. Here are some key aspects of the piece:

Baroque Style: The piece reflects the Baroque style, known for its emphasis on contrast, movement, and clear, structured forms. The march is typically characterized by a steady, processional rhythm, and BWV Anh. 122 exemplifies this with its clear, marching tempo.
D Major Key: Being in D Major, the piece likely has a bright and jubilant character. D Major is often associated with grandeur and triumph, making it a popular choice for celebratory and ceremonial music during the Baroque period.
Keyboard Composition: Like many of Bach's (or his contemporaries') compositions, this march is likely composed for the keyboard, which during Bach's time would have included instruments like the harpsichord or the clavichord. It might also be adaptable for performance on the modern piano.
Structure and Texture: The piece probably features a contrapuntal texture, a hallmark of Baroque music, where two or more melodic lines are woven together harmoniously. The structure of the march is likely to be straightforward and symmetrical, reflecting the order and balance prized in the Baroque era.
Pedagogical Use: Pieces like the "March in D Major, BWV Anh. 122" are often used for educational purposes, helping students develop a sense of rhythm, form, and Baroque style. They are suitable for intermediate-level students who are exploring the stylistic features of Baroque keyboard music.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.