Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key) (arr. Nicole Elyse DiPaolo) by Richard Strauss Sheet Music for Vocal Solo at Sheet Music Direct
Log In
1430212
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key) (arr. Nicole Elyse DiPaolo) Digital Sheet Music
Cover Art for "Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key) (arr. Nicole Elyse DiPaolo)" by Richard Strauss PASS

Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key) (arr. Nicole Elyse DiPaolo)
by Richard Strauss Vocal Solo - Digital Sheet Music

₹580.00
Sales tax calculated at checkout.
Free access with trial. ₹99/month after. Cancel anytime.
Purchase of Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key) (arr. Nicole Elyse DiPaolo) includes:
Official publisher PDF download (printable)
Access anywhere, including our free app

This item is not eligible for PASS discount.

Product Details


Product Description

The first of its kind, and the first entry in the Accessible Accompaniments librarys collection of small-hand-optimized song literature publications, this is Richard Strausss beloved Zueignung, from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. Small is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.

This edition was inspired by Booseys excellent small-hand edition of Frank Bridges Love Went A-Riding (erroneously labeled simplified on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strausss op. 10 collection is much more widespread on todays concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strausss songs are often so orchestral in spiritmuch more so than the Bridgethat the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strausss beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.

The primary source material for this edition is Henles edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments distinctive house style, marked by its visual beauty and ease of reading.

While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you dont see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityand that goes for singers, too!

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.