Come, Thou Long-Expected Jesus - Full Orchestra (arr. Mark R Lewis) Sheet Music | Rowland H Prichard | Full Orchestra
Log In
Home   /  Rowland H Prichard   /  Come, Thou Long-Expected Jesus - Full Orchestra (arr. Mark R Lewis)   /  Full Orchestra
1244520
Come, Thou Long-Expected Jesus - Full Orchestra (arr. Mark R Lewis) Digital Sheet Music
Cart purchase includes:
Official publisher PDF download (printable)
Access anywhere, from any device.
Cover Art for "Come, Thou Long-Expected Jesus - Full Orchestra (arr. Mark R Lewis)" by Rowland H Prichard PASS

Come, Thou Long-Expected Jesus - Full Orchestra (arr. Mark R Lewis)by Rowland H Prichard Full Orchestra - Digital Sheet Music

$34.99
Taxes/VAT calculated at checkout.
Add to Cart
Free Access
Cart purchase includes:
Official publisher PDF download (printable)
Access anywhere, from any device.

This item is not eligible for PASS discount.

Audio Preview

Product Details

Product Description

Come, Thou Long-Expected Jesus is a lovely Advent hymn. The text was written by Charles Wesley and has been used in Advent services regularly since it was written in the 1740s. The text has been set to many tunes but the one used in this version is Hyfrydol, This tune was written by Rowland Prichard about 100 years after Wesley's text and is used extensively in many hymnals but especially for this particular text. This arrangement is for orchestra with optional 3-5 octave handbell choir. The handbell arrangement unusual in that the 4 octave version does require the use of the F3 bell. Other than that this is a relatively simple, if thickly orchestrated, arrangement. There are three sections using different methods of music making, the first is a fairly straightforward setting, the second focuses on short sounds in the melody which is also in the lower voices, and the third explores musical canon before bringing back a more traditional musical setting. There are two distinct parts for most instruments with a few splitting more. Flutes, trumpets, and trombones have three parts. The trombone 3 part is intended to be bass trombone but should be playable on regular trombone and if any section only has two divisions, the lower voice should have more players unless otherwise notated. That applies to flutes and trumpets as well. There are four horn parts that do not split. The timpani part should be playable on two drums with active pedaling to change notes mid-piece, although four drums is perfectly acceptable.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.