Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - brass quintet (arr. Ray Thompson) Sheet Music | Wolgang Amadeus Mozart | Brass Ensemble
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Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - brass quintet (arr. Ray Thompson) Digital Sheet Music
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Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - brass quintet (arr. Ray Thompson)by Wolgang Amadeus Mozart Brass Ensemble - Digital Sheet Music

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Arranged standard brass quintet.

A beautiful piece of music. It suits the brass quintet.

The Lacrimosa (Latin for "weeping/tearful"), also a name that derives from Our Lady of Sorrows, a title given to The Virgin Mary, is part of the Dies Irae sequence in the Roman Catholic Requiem Mass.
Its text comes from the Latin 18th and 19th stanzas of the sequence.

Lacrimosa dies illa
Qua resurget ex favilla
Judicandus homo reus.
Huic ergo parce,
Deus: Pie Jesu Domine,
Dona eis requiem.
Amen.

"Full of tears will be that day When from the ashes shall arise The guilty man to be judged; Therefore spare him, O God, Merciful Lord Jesus, Grant them eternal rest. Amen."

The piece begins piano on a rocking rhythm in 12/8, intercut with quarter rests, which will be reprised after two bars, on Lacrimosa dies illa ("This tearful day"). Then follows a diatonic progression, in disjointed eighth-notes on the text resurget ("will be reborn"), then legato and chromatic on a powerful crescendo.

The music is forte by bar 8, at which point Mozart's contribution to the movement is interrupted by his death. Süssmayr brings the music to a reference of the Introit and ends on an Amen cadence.
Discovery of a fragmentary Amen fugue in Mozart's hand has led to speculation that it may have been intended for the Requiem.
Indeed, many modern completions (such as Levin's) complete Mozart's fragment. Some sections of this movement are quoted in the Requiem mass of Franz von Suppé, who was a great admirer of Mozart.

Ray Robinson, the music scholar and president (from 1969 to 1987) of the Westminster Choir College, suggests that Süssmayr used materials from Credo of one of Mozart's earlier masses, Mass in C major, K. 220 "Sparrow" in completing this movement.

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