Be Thou My Vision ("Slane") (arr. Dan Heslink) Sheet Music | Dan Heslink | Marimba Solo
Log In
1031558
Be Thou My Vision ("Slane") (arr. Dan Heslink) Digital Sheet Music
Cart purchase includes:
Official publisher PDF download (printable)
Access anywhere, from any device.
Cover Art for "Be Thou My Vision ("Slane") (arr. Dan Heslink)" by Dan Heslink PASS

Be Thou My Vision ("Slane") (arr. Dan Heslink)by Dan Heslink Marimba Solo - Digital Sheet Music

$4.99
Taxes/VAT calculated at checkout.
Cart purchase includes:
Official publisher PDF download (printable)
Access anywhere, from any device.

This item is not eligible for PASS discount.

Audio Preview

Product Details


Product Description

Be Thou My Vision ("Slane") for solo marimba . . . . . . . . traditional Irish tune

                                                                                                      arr. Dan Heslink

 This is a 4-mallet marimba arrangement of the old Irish folk tune "Slane." It is named after a place, in Irish called Baile Shláine, a quaint village in County Meath, near Dublin, on a steep hill beside the River Boyne. Its history dates back nearly 5,000 years and is dominated by its castle and hill, on which St. Patrick is said to have defied the pagan King in the Fifth century. As an old Irish folk song "Slane" is associate with the ballad "With My Love on the Road" in Patrick W. Joyces "Old Irish Folk Music and Songs (1909). It is an attractive melody, cleverly constructed with a variety of creative melodic patterns.

 The form of this arrangement is a set of strophic variations.  It begins with a simple and pastoral setting of the tune imitating the Irish whistle (tin whistle, or penny whistle). The soloist plays the melody in sustained, continuous roll in the right hand, executed by placing one mallet bellow the bars end and one above, operating the wrist up and down. At the same time, the beginning of each melody note is reinforced with a stroke from the left hand and accompanied with a simple bass and intermittent counter melodies. The left-hand crosses over the right to move from bass notes to counter melody notes.

 The first strophic variant, beginning at measure 19, opens up the vertical dimension in terms of harmony and range. The left hand is again called upon to cross over the right, moving between bass and chords, while the right-hand melody progresses in the middle texture. The characterization of Irish folk music continues with the typical melodic ornaments of the tin whistle roll (rapid ornaments achieved through rolling the hand over some of the whistles tone holes).

 The second variant, beginning measure 35, is a three-part fugato. The developmental nature of a fugato makes adherence to the strophe considerably freer, focusing on melodic phrases as subjects and countersubjects in the counterpoint. The player is encouraged to bring out the left-hand octaves in mm. 96-106, where most of the "Slane" melody occurs in augmentation. A brief transition leads to the final variant, a rapid and virtuosic conclusion in which passages of florid figuration are sandwiched between the tunes phrases.

 This arrangement will work well as a secular piece in recital, referencing a favorite Irish tune ("Slane"), or as a marimba solo for church, referencing the spirit of the Christian lyrics. The melody became a hymn tune when it was arranged by David Evans and set to the Irish hymn "Be Thou My Vision." The best-known English version was translated by Eleanor Hull and published in 1912. The arrangement will serve equally well as an offertory or special music in a Christian service.

 The arranger has assigned a difficulty level of intermediate to advanced. Duration is 4:30. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.

 

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.