Product Description
The Man That Got Away is a repertoire standard that was written for Judy Garland and later recorded by Frank Sinatra.
I wrote this version for one of my students who was auditioning to get into an Arts School. She was not a singer and not going into a vocal programme, but was required to do a vocal piece anyway as part of the audition process. Thus I have kept the vocal range limited to a comfortable 10th, from A4 to C5; most of it between Middle C and the next C. Further, this student had severe asthma and thus poor breath control. So I wrote this arrangement with short phrases, lots of caesurae, breath marks, rests, rubato, and a piano interlude just past the middle.
The interest lies in the constantly shifting moods from swagger, to blues, to smoky jazz, to angry declarations, to wistful melancholy, to chanted recitation, to expressive rubato. This is underscored by a piano part which incorporates all of the above into a contemporary jazz style of rich extended chords.
But you won't be thinking of any of these things when you perform this stunning piece because it just all works together to create a fresh, jazzy twist to this old classic.
P.S. My student won her spot in the school with this song:)
8 pages, 4 minutes
Recording is of the male version (The Gal That Got Away).
This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.