Sarabande - (from 'Keyboard Suite in D minor' - III. Mov.) for Orchestra (arr. Flavio Regis Cunha) by Georg Friedrich Händel Sheet Music for Full Orchestra at Sheet Music Direct
Log In
667927
Sarabande - (from 'Keyboard Suite in D minor' - III. Mov.) for Orchestra (arr. Flavio Regis Cunha) Digital Sheet Music
Cover Art for "Sarabande - (from 'Keyboard Suite in D minor' - III. Mov.) for Orchestra (arr. Flavio Regis Cunha)" by Georg Friedrich Händel PASS

Sarabande - (from 'Keyboard Suite in D minor' - III. Mov.) for Orchestra (arr. Flavio Regis Cunha)
by Georg Friedrich Händel Full Orchestra - Digital Sheet Music

$19.99
Sales tax calculated at checkout.
Free access with trial. $9.99/month after. Cancel anytime.
Purchase of Sarabande - (from 'Keyboard Suite in D minor' - III. Mov.) for Orchestra (arr. Flavio Regis Cunha) includes:
Official publisher PDF download (printable)
Access anywhere, including our free app

This item is not eligible for PASS discount.

Audio Preview

Video Preview

Product Details


Product Description

The Keyboard suite in D minor (HWV 437) was composed by George Frideric Händel, for solo keyboard (harpsichord), between 1703 and 1706. It is also referred to as Suite de pièce Vol. 2 No. 4. It was first published in 1733.

The piece was used in an orchestral arrangement for Stanley Kubrick's Barry Lyndon. Dutch singer Petra Berger used the Sarabande as the musical setting for her song about Mary, Queen of Scots, "Still a Queen (In My End Is My Beginning)," from her album Eternal Woman (2001). An orchestral version was also used on the first episode of the 2018 television mini-series of Agatha Christie's "A.B.C. Murders", starring John Malkovich as Poirot.

This beautiful arrangement for orchestra brings in its variations, an intercalation of orchestral forces and different climaxes. The first part of the theme starts on the strings accompanied by the continuum. The second part includes the metals and the tympani. In the first variation, the theme is played by a group of strings, within a chamber proposal. In the third variation, the strings give way to the woodwinds, where horns, trombones talk to the woodwinds. In the fourth variation, the same group of winds remains, but they are accompanied by the ow strings. Finally, in the last variation, the orchestral force appears with brilliance and intensity.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.