But Who May Abide the Day of His Coming for Solo Contrabass Clarinet & Clarinet Choir (arr. Lisa L Ochoco) Sheet Music | George Frideric Handel | Woodwind Ensemble
Log In
Home   /  George Frideric Handel   /  But Who May Abide the Day of His Coming for Solo Contrabass Clarinet & Clarinet Choir (arr. Lisa L Ochoco)   /  Clarinet Choir
594355
But Who May Abide the Day of His Coming for Solo Contrabass Clarinet & Clarinet Choir (arr. Lisa L Ochoco) Digital Sheet Music
Cart purchase includes:
Official publisher PDF download (printable)
Access anywhere, from any device.
Cover Art for "But Who May Abide the Day of His Coming for Solo Contrabass Clarinet & Clarinet Choir (arr. Lisa L Ochoco)" by George Frideric Handel PASS

But Who May Abide the Day of His Coming for Solo Contrabass Clarinet & Clarinet Choir (arr. Lisa L Ochoco)by George Frideric Handel Clarinet Choir - Digital Sheet Music

$13.99
Taxes/VAT calculated at checkout.
Add to Cart
Free Access
Cart purchase includes:
Official publisher PDF download (printable)
Access anywhere, from any device.

This item is not eligible for PASS discount.

Audio Preview

Product Details

Product Description

Handel's Messiah is one of the most popular musical works of all time, and choirs around the world perform Part 1 of Messiah every Christmas season.

But Who May Abide the Day of His Coming is a solo piece, sung by an alto or bass. In this arrangement, the solo goes to any clarinet in either the key of Bb or Eb. A bass or contrabass clarinet soloist would be a great choice for this piece, as these instruments are usually not featured as often. This piece could also do perfectly well without it being a solo feature. Parts 1 and 2 have 2-part divisis.

Whichever way you decide to play this arrangement, this would be a great piece to play for the Christmas season.

Duration: 4.5 minutes

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.