Lábios de sabor a mar / Sea flavour lips (S/T+Piano) by Rudesindo Soutelo Sheet Music for Piano & Vocal at Sheet Music Direct
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Lábios de sabor a mar / Sea flavour lips (S/T+Piano) Digital Sheet Music
Cover Art for "Lábios de sabor a mar / Sea flavour lips (S/T+Piano)" by Rudesindo Soutelo PASS

Lábios de sabor a mar / Sea flavour lips (S/T+Piano)
by Rudesindo Soutelo Piano & Vocal - Digital Sheet Music

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Product Description

À memoria da actriz Cruz Comesanha

Lábios de sabor a mar (Derradeira epístola) / Sea flavour lips (Last epistle) for Soprano/Tenor and Piano [ca. 7' 34"]

The origin of this work is the emotional emptiness I felt when I received the news of the death of a close friend in an unfortunate accident at home. The text was constructed with ideas and phrases taken from the poetic correspondence we had exchanged in the previous months. A few years later, I plucked up the courage to write the music, firstly for Choir a Cappella or with Piano ad libitum, followed by a version for Brass Quintet and another for Soprano or Tenor and Piano. This new edition for Voice has been revised in its entirety.
The English translation of the text at the end of the score is not intended to be sung. It is only inserted to help singers who do not understand Portuguese to comprehend the message.
The complexes that organise the harmonic and melodic structure are [6, 2, 5, 1, 3], [10, 9, 2, 8] and [4, 8, 9, 7].

--oOo--

A origem desta obra está no vazio emocional que me produziu a notícia da morte de uma íntima amiga, num infortunado acidente caseiro. O texto foi construido com ideias e frases retiradas da correspondência poética que trocáramos nos meses anteriores. Alguns anos depois, ganhei coragem para escrever a música, primeiramente para Coro a Cappella ou com Piano ad libitum, seguindo-se uma versão para Quinteto de Metais e esta para Soprano ou Tenor e Piano. Esta nova edição para Voz foi revista na sua totalidade.
A tradução inglesa do texto, no final da partitura, não é para ser cantada. Só se insere para ajudar na compreensão da mensagem, aos cantores que não percebam português. 
Os complexos que organizam a estrutura harmónica e melódica são [6, 2, 5, 1, 3], [10, 9, 2, 8] e [4, 8, 9, 7].

ISWC: T-041.574.843-4
ISMN: 979-0-707704-17-2

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