Victor Ewald
27 November 1860 - 16 April 1935
Ewald was a Russian composer of music, mainly for conical brass instruments.
He was born in Saint Petersburg and died in Leningrad. He also collected and
published Russian folk songs. Ewalds professional life, like that of many of his musical
contemporaries, was in an entirely different field; that of a civil engineer, in which he
excelled, being appointed in 1900 as professor and manager of the Faculty of
Construction Materials at the Institute of Civil Engineers. Brass players however are
indebted to him for something very different a series of quintets which have become
a staple of the repertoire and which represent almost the only, and certainly the most
extended examples of original literature in the Romantic style. Ewalds formal musical
training began in 1872 when he enrolled at the St Petersburg Conservatory at the age
of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its
kind in Russia and it was here that Ewald received lessons in cornet, piano, horn,
cello, harmony and composition.As an adult he worked alongside fellow musical
nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev,
César Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov.
All of these men had "day jobs" in non-musical fields.
Ewalds contributions as a composer reflected an abiding love for brass
instruments for which he wrote his quintets scored originally for two cornets, alto
horn, baritone horn and tuba.
I've edited these four quartets using Ewald's original instrumentation, but there
are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F,
trombone and tuba).