Product Description
Mozart's K. 230 (also catalogued as K. 382b), a canon for two voices, also referred to as "Selig, selig alle," is a clear demonstration of his mastery of counterpoint, a compositional technique involving the interplay of independent melodic lines. Composed in 1782, this work exemplifies Mozart's adherence to the classical principles of counterpoint. Each vocal line is melodically strong on its own, yet harmonically interdependent with the others, creating a seamless blend of independence and unity.
The canon form itself is a strict type of counterpoint, requiring one voice to imitate another at a fixed interval and time delay. Mozart's handling of this form in K. 230 shows his ability to write lines that are both singable and capable of fitting together in perfect harmonic and rhythmic alignment, without breaking any of the established rules of counterpoint. This balance of technical rigor and musical beauty is a hallmark of Mozart's contrapuntal writing.
Furthermore, the piece exemplifies how Mozart could infuse even the most academic compositional techniques with expressive character and clarity, making the counterpoint sound natural and engaging rather than mechanical. In summary, K. 230 showcases Mozart's contrapuntal skill through its elegant melodic lines, precise imitation, and the seamless integration of independent voices, all within the demanding structure of a canon.
This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.