Op.3 No.10-12 by In Son Zeng by In Son Zeng Sheet Music for Piano Solo at Sheet Music Direct
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Op.3 No.10-12 by In Son Zeng Digital Sheet Music
Cover Art for "Op.3 No.10-12 by In Son Zeng" by In Son Zeng PASS

Op.3 No.10-12 by In Son Zeng
by In Son Zeng Piano Solo - Digital Sheet Music

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Introduction of Op.3 No.10-12 by In Son Zeng:

Op.3 No.1-12 is composed by In Son Zeng (from Macau) to cater to a variety of musical tastes and skill levels, offering a diverse range of experiences for the player.

Op. 3 No. 10 "How Beautiful the Countryside"

The tenth song in Op.3 uses an old country musical style. It depicts a gently flowing river, which does not create large ripples throughout the day, yet the surroundings are so beautiful that one cannot help but be captivated! The entire piece extensively designs two voice parts at the higher range. The upper voice often features non-legato triplets, while the left-hand employs a fixed rhythm common in country music, enhancing the picturesque scenery that the music evokes.

Op. 3 No. 11 "Charming New Orleans"

The eleventh song is composed in a New Orleans jazz style that traces back to the origin of Jazz music! Being one of the ancestors of jazz, it poetically and lyrically reflects a refined lifestyle. This music is a great companion to the beauty of nature: listening to the relaxed, old-style jazz while strolling through a New Orleans park is truly invigorating!

The entire piece is written in A-flat major and is divided into two short sections, both in an AA format (where the two sections are similar but differ in chord density). When practicing, it is important to prepare for an increase in intensity and atmosphere one measure before transitioning into the second section.

Op. 3 No. 12 "Summer Sun"

The twelfth song, in terms of jazz style, is a lively Boogie Woogie piece. Playing this music conjures images of people in bikinis dancing rhythmically on the beaches of Macedonia, surrounded by enthusiastic beach-loving tourists. The bustling crowd adds vibrant color to the hot summer beach.

The entire piece is written in E-flat major and is also divided into two short sections in an AA format. During practice, there is a "breathe and relax" moment one measure before transitioning to the second section. It is important to play with a sense of relaxation at that point, followed by an augmented chord leading into the next section.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.