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You Are Woman, I Am Man (High Voice)
|
Jule Styne
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
You Do Something To Me (Low Voice)
|
Cole Porter
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
You Took Advantage Of Me (arr. Robert Rawlins)
|
Rodgers & Hart
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
You'll Have To Swing It (Low Voice)
|
Sam Coslow
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
You're Sensational (Low Voice)
|
Cole Porter
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
You're The Cream In My Coffee (Low Voice)
|
B.G. DeSylva
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
You're The Cream In My Coffee (arr. Robert Rawlins)
|
B.G. DeSylva
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
Young And Foolish (Low Voice)
|
Albert Hague
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
'Deed I Do (arr. Robert Rawlins)
|
Walter Hirsch
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
'Til Tomorrow (High Voice)
|
Bock & Harnick
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
'Til Tomorrow (Low Voice)
|
Jerry Bock
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
About A Quarter To Nine (Low Voice)
|
Bobby Darin
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
Across The Alley From The Alamo (High Voice)
|
Joe Greene
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
Across The Alley From The Alamo (Low Voice)
|
Joe Greene
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
An Affair To Remember (Our Love Affair) (Low Voice)
|
Harold Adamson
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
Alabama Jubilee
|
Arthur Collins & Byron Harlan
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
Alice Blue Gown (arr. Robert Rawlins)
|
Edith Day
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
All Alone (High Voice)
|
Irving Berlin
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
All Alone (Left Alone) (Low Voice)
|
Billie Holiday
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
All Alone (Low Voice)
|
Irving Berlin
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
All At Once You Love Her (Low Voice)
|
Rodgers & Hammerstein
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
All My Tomorrows (Low Voice)
|
Various
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
(All Of A Sudden) My Heart Sings (Low Voice)
|
Harold Rome
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
Alright, Okay, You Win (Low Voice)
|
Sid Wyche
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|
|
Always (Low Voice)
|
Irving Berlin
|
Real Book – Ligne de Mélodie, Paroles et Accords
|
|
¥600
|
|
|