|
Amazing Grace - Orchestra (arr. Brendan Elliget)
|
Traditional Early American Tune
|
Orquesta completa
|
|
¥3,750
|
|
|
|
Amazing Grace - Woodwind Quartet - Score and Parts (arr. Brendan Elliget)
|
Traditional Early American Tune
|
Cuarteto de viento de madera
|
|
¥750
|
|
|
|
Amazing Grace for Solo Piano (arr. Judith L. Maggs)
|
Early American Hymn Tune
|
Piano solo
|
|
¥900
|
|
|
|
Black Velvet Waltz (ensemble) (arr. Larry Conger/Dulcimerican Music)
|
traditional American fiddle tune
|
Conjunto para Actuación
|
|
¥3,000
|
|
|
|
Bonaparte Crossing the Rhine (arr. Sandy McIntire)
|
Sandy McIntire
|
Violín solo
|
|
¥750
|
|
|
|
C.C. Rider (arr. Larry Conger)
|
traditional American blues tune
|
Instrumental solo
|
|
¥750
|
|
|
|
COME THOU FOUNT OF EVERY BLESSING - CLARINET TRIO (unaccompanied) (arr. Glen Poehlmann)
|
traditional American tune
|
Trío de viento de madera
|
|
¥750
|
|
|
|
Come, Thou Fount of Every Blessing (NETTLETON) (arr. Richard Giszczak)
|
from John Wyeth's "Repository of Sacred Music
|
Instrumental solo
|
|
¥750
|
|
|
|
Come, Thou Fount of Every Blessing - brass quintet (arr. Todd Marchand (ASCAP))
|
American Hymn Tune
|
Quinteto de Metales
|
|
¥2,250
|
|
|
|
Down In The Valley (key of C) (arr. Kyle Gray Young)
|
Traditional American folk tune
|
Piano, Voz y Acordes de guitarra
|
|
¥900
|
|
|
|
Drunken Billy Goat (arr. Sandy McIntire)
|
American Fiddle Tune
|
Violín solo
|
|
¥750
|
|
|
|
Durham's Bull (arr. Sandy McIntire)
|
Sandy McIntire
|
Violín solo
|
|
¥750
|
|
|
|
Every Night When the Sun Goes In (arr. Javon Byam)
|
American folk tune
|
TTBB Coro
|
|
¥600
|
|
|
|
Flop-Eared Mule (arr. Sandy McIntire)
|
Mountain Momma Fiddle Tunes
|
Violín solo
|
|
¥750
|
|
|
|
Foundation (arr. Robert Myers)
|
Traditional American hymn tune
|
Conjunto Viento Metal
|
|
¥1,950
|
|
|
|
Great Spirit God (Laquiparle) (arr. Roy James Stewart)
|
Traditional American hymn tune
|
Piano solo
|
|
¥900
|
|
|
|
Holy Manna (Brethren, We Have Met to Worship) Cello (arr. Michael Ware)
|
Michael Ware
|
Piano y Cello
|
|
¥1,050
|
|
|
|
Home with the Girls in the Morning (arr. Geoff Ogle)
|
Traditional American folk tune
|
Cuarteto de viento de madera
|
|
¥1,200
|
|
|
|
Home with the Girls in the Morning (arr. Geoff Ogle)
|
Traditional American folk tune
|
Cuarteto de viento de madera
|
|
¥1,200
|
|
|
|
Home with the Girls in the Morning (arr. Geoff Ogle)
|
Traditional American folk tune
|
Cuarteto de latón
|
|
¥1,200
|
|
|
|
Home with the Girls in the Morning (arr. Geoff Ogle)
|
Traditional American folk tune
|
Conjunto Viento Metal
|
|
¥1,200
|
|
|
|
Home with the Girls in the Morning (arr. Geoff Ogle)
|
Traditional American folk tune
|
Cuarteto de viento de madera
|
|
¥1,200
|
|
|
|
How Can I Keep from Singing arranged for lever harp - NO LEVERS REQUIRED (arr. Kim Kirkman)
|
Kim Kirkman
|
Arpa
|
|
¥900
|
|
|
|
How Can I Keep from Singing arranged for piano - NO BLACK NOTES REQUIRED (arr. Kim Kirkman)
|
Kim Kirkman
|
Piano solo
|
|
¥900
|
|
|
|
How Firm A Foundation, for Organ (arr. Nigel Williams)
|
Traditional American folk tune
|
Órgano
|
|
¥900
|
|
|