Op. 85/12 Piano Quartet: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12.
Schumann Background
Robert Schumann (1810 1856) was a German composer and music critic. Music historians and critics generally agree that he is one of the greatest composers of the Romantic era. In the first place, Schumann was studying to become a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand and ruined any chance of success as a virtuoso pianist. As a result, Schumann turned his musical attention to composing.
The Beginning of the End
In 1848, Robert Schumann was, in fact, only 38 years old. Nevertheless, he was already weakening as a composer and conductor. His productivity, on the whole, was slowing down. Furthermore, his conducting job at one of the worlds oldest orchestras had come under significant criticism.
Last Period
Schumann became inspired by the death of his friend Felix Mendelssohn the year before. Similarly, he was stimulated by the Revolutions of 1848 and consequently composed some of his most substantive works. During this last period of inspiration, he wrote his Scenes from Faust. Furthermore, he finished the Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest for piano. Finally, he composed the Twelve Four-hand Piano Works for Small & Large Children, Op. 85. This collection turns out, in summary, to be Schumanns last great collection of piano literature.
Abendlied
Schumann's "Abendlied" (Evening Song), Op. 85 No. 12, is a significant piece from his collection "12 Klavierstücke für kleine und große Kinder" (12 Piano Pieces for Small and Large Children). This piece is known for its lyrical and expressive qualities, making it a charming and beloved work in the piano repertoire. It is often performed and arranged for various instruments, reflecting its enduring popularity and significance in Schumann's oeuvre. The piece's serene and melodic nature has contributed to its enduring appeal and frequent inclusion in piano repertoire and recordings.